Praise The Lord



Author: Geoffrey Chapman Publishers - 1972
Publisher: Geoffrey Chapman Publishers
Format: Paperback
ISBN: 0225658399
£3.50 + p&p. (total: £7.45)

Condition: Good
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“Praise the Lord,” said the publisher, “and also please see our very reasonable retail prices.”

Praise the Lord (1972) from Geoffrey Chapman Publishers is one of those wonderfully earnest early-’70s Catholic books that clearly expected Vatican II enthusiasm to last forever. It comes from that era when publishers genuinely believed you could fix most liturgical confusion with a slim, nicely typeset volume and some cheerful exhortations to sing together without frightening the congregation.

This is not a megachurch production manual, a worship-band strategy guide, or a “10 Easy Steps to a Vibrant Praise Lifestyle.” This is old-school: hymnbook-adjacent, parish-friendly, and designed for people who know what a missal is and can find the Collect without crying. You can practically smell the incense and industrial-strength floor polish.

Published by Geoffrey Chapman Publishers (who had a strong line in gently serious religious books), this 1972 relic carries the gloriously retro ISBN: 0225658399 and the quiet confidence of a volume that expects to live on a church shelf, be opened on Sundays, and be occasionally dropped by an acolyte with clammy hands.

Condition: Good, as interpreted by Crappy Old Books, roughly means:

  • Binding sound, pages all present, no mysteriously missing bits between “Praise” and “the Lord.”

  • Some shelf wear and rubbing to the cover, in that distinctive “stored in a vestry cupboard next to a box of candles and a broken overhead projector” way.

  • Light tanning to the paper, which only enhances the liturgical ambience.

  • You may find an old parish stamp, a faint pencilled price, or—if you’re lucky—a long-faded bookmark from a diocesan conference in 1978.

Inside, you can expect:

  • Pious, straightforward content aimed at helping ordinary churchgoers do exactly what it says on the cover without getting too theologically entangled.

  • A tone that is devout but not terrifying; more “kindly parish priest explaining things over weak coffee” than “revivalist shouting from a television studio.”

  • Layout and design that scream 1970s Catholic publishing: functional, respectable, and utterly convinced that brown and orange are perfectly acceptable liturgical colours for book covers.

Perfect for:

  • Liturgical nostalgics who enjoy the calm, tidy optimism of post-Vatican II printed materials.

  • Curious modern Christians who want to see what “praise” looked like before data projectors and worship slides in gradient teal.

  • Secular collectors of odd religious ephemera who just like owning books that sound like they were free with a parish magazine.

So here it is: Praise the Lord (1972), Condition: Good, as sold by Crappy Old Books—a gently worn little time capsule from a world where praise was printed, bound, and shelved in the sacristy, ready for use whenever the organist turned up on time.

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